I also wanted to do some more rhythms in parts, and so I had the students walk in deliberately into four even (as much as possible) lines parallel to the front board.
| Teaching Peace | Reintroduce song, lyrics and partial echo. Reintroduce chorus and stanza terms. |
| I wrote the lyrics to the chorus on the board, and I wrote the stanza in partial echo using elipses; e.g.: …take my hand …come along … … …brand new song etc. I wanted to get the students to become used to trying to sing just their part regardless of what I was singing. In this case, they were almost echoing everything that I was singing except for that 3rd line, which made things a bit easier than if they were singing something totally different. We practiced singing this way a few times before I tried it using the chorus as a lead-in. It took just a little bit of extra practice, but eventually both classes got it. I revisited the terms "chorus" and "stanza", but it seemed like few students really understood what those terms meant. For the second class, I took this a little farther. The last line of the stanza normally has no echo whatsoever (and I noted this on the board), but instead, I had the students chant "1, 2, 3, 4" during the last full measure of the stanza. Now, that took a lot of extra work, and I had to time my gesturing to them when to come in. Only perhaps 2 or 3 students could come in without my prompting. Also, for the second class, I tried throwing in the 2nd stanza without rehearsing it with the class (or having the lyrics written on the board). It was actually working really well until I couldn't remember the "sing out loud" line correctly; I sang "sing out high, sing out loud", which sort of left me high and dry (and rather embarrased). | |
| Clapping Rhythms | Have the class clap rhythms printed on paper. |
| I had typed out 8 sheets of single-measure rhythms and taped them on one side of the room: QRQR eeeeQR QQQR QreQR QRQQ RQRQ eereQR QRRQ Q = quarter note, e= eighth note, R= quarter rest, r = eighth rest I had the students sitting in 4 rows, and I had the students face the sheets so that I had two sheets assigned to each group. I then had the class practice each of the rhythms one at a time. I didn't have a lot of time, so I sort of drill-seargeanted the patterns one at a time. I found that patterns #4, 6 and 7 were more difficult than others for the students to get, and I had to illustrate them a few extra times for the students. Next, I had students clap the patterns that were assigned to each line. Effectively, that was two measures per line. However, for the second class, I found that they weren't picking up the patterns quickly enough, and so I reduced their assignment to one measure per group, and I used measures #1, 2, 3, and 8. We were able to run through the cascading patterns a few times. I then showed the students the tone bells, and I played for them the 8 patterns, one pitch per measure, up the scale. The students started clapping when I finished, which surprised me a bit. I do hope to introduce the bells to them more formally at a later date. | |
For the second class, I did have the students sing the chorus of Oh My Goodness (which I had written on the board) one time before they exited. The first class exited quickly after the tone bell demo.
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