| Tritsch Tratsch Polka | Lead students into room with song |
| I couldn't be sure that both rooms' worth of students were going to appear (1) at the same time, and (2) in an orderly fashion, and so when one class' students showed up, I started playing the song, and I asked the students to copy my movements. About a minute into the song, the other students came in, and I simply asked them to join at the end of the line. I would move roughly to the music, and the kids giggled as they followed me around the room.
I've done this before in other past classes, but never with 50 students. In an activity like this, the students typically start sliding closer and closer to the middle of the circle, constricting the space; as a result, near the end of the song I could hardly move if I wanted to keep a semi-symmetric circle.
| |
| Heel, Toe, Down The Line | Teach Chant/Dance |
| This was an activity that I've used the past few years around Valentine's Day, and so I was pretty much obligated to use it today. We talked about how it was Valentine's Day (no secret, plus the students had their party afterwards), and I asked the students what responses would they give if they were asked "Would you be my valentine?" Of course, the answers were "yes" and "no", and so I asked them to pretend that they were travelling around the world; first stop: Germany. I then had them practice saying "Ja" and "Nein". Monosyllabic non-English words always seem to resonate with the kids.
It was time to introduce the movement, and so I had the students follow what I was doing with my right foot - heel down, followed by toe down. At this point, I needed the help of the other docent, and we illustrated the turnaround when saying "Would you be my valentine". When it was time to practice "Maybe ja or maybe nein", I didn't show the jump quite yet; I wanted to have the students get used to the chant. (We didn't sing quite yet - we only were chanting at this point.) Finally, we illustrated the jump, and the kids loved it. Next, it was time to pair everyone up. The students were already in a circle, and so I simply walked around the room and designated pairs of adjacent students. Second graders already are a bit squeamish about "pairing up", and so I had to remind them that even though this was a Valentine's Day activity, you could always say "no" or "nein" to the question. We probably spent about 2 minutes trying to get everyone paired up, but we then got the students doing the chant and movements. When the students jumped, they all burst out in gleeful laughter, as they realized that they suddenly had a new partner. We did it a few more times, and then I started to sing instead of chant, hoping that some students would follow my vocal lead (some did). After each iteration, I gave the students time to laugh and recollect themselves, but I gradually shortened that time after each iteration, trying to get them to maintain a steady rhythm. I never was able to reduce the delay between iterations to zero. After a few more iterations, we all sat down. I had the students point to where they started at, and many were astounded at how far away they had moved over the course of the song. | |
| How Do You Dootee | Teach chant and movement |
| It was time to visit another place in the world, and so I had the students fly over to the only place that was both a country and a continent - "Australia!" someone shouted. I asked the students how people say "hello" in Australia - no one could come up with "G'Day", and so we practiced saying it as a group. I also asked the students what words were used to form "G'Day", and none could come up with them. That allowed me to explain how Australian people still spoke English - they just sometimes use different words or pronounce things a little differently.
At this point, I jumped right into the chant, and I had the students repeat the first line. We then talked about the second line, and what it meant, as it was again another illustration of words that had a different meaning in Australia. I then had the students repeat the last two lines after me. We put it all together, and then I had them prepare for the walk: I had the students look for another place around the room, and during the last line, they walked to that other area. With 50 kids, there is always going to kids fighting for spots, and so I had to make it clear that students were to walk, and they were to take a nearby location if where they wanted to go was occupied. We practiced this for a bit, and then I decided to add more to the activity. I had the students hold their hands at just under shoulder height and move their hands back on the beat, as if the students were clapping with their neighbors. Getting the students to do this consistently was pretty difficult, as it also required that the students needed to be pretty evenly spaced around the circle - something that is nearly impossible to do after their move. Even more difficult is to get the students to cross their arms during line #2 - an add-on that was taught to me when I took the Sanna Longden workshop that introduced this activity to me. That probably wasn't the most effective time spent. | |
| Sasha | Teach dance and words |
| We were off to our third location - this time, Russia. We practiced how to say "Hello" in Russian a few times. Then, we practiced counting to three; I had prewritten on the board "Ras", "Dva", "Tri", and I had the students repeat them after me. I then also had them say "Sasha", and we talked about how it was a nickname for either Alexander or Alexandra - thus, everyone could be Sasha.
"Sasha" is a clapping dance, and rather than try to frame it, I simply had the other docent demo the clapping with me. After doing that twice, I had all of the students pair up again, and we all practiced the clapping. That was pretty straightforward and successful. What was not as successful was teaching the next part of the dance, which was basically an arm-in-arm circle for two measures, followed by another arm-in-arm circle in the other direction. I sang loudly the music while doing the dance, which pretty much sent the kids into a bit of a frenzy when they tried it. By this point, we were running out of time, and while we were able to practice the entire sequence a few times, we didn't have enough time to (1) search for another partner (which was part of the dance), nor (2) sing/dance/clap to the music. | |
The near-empty room worked out really well, and I think I'll have to use it again; with 50 students (and the desks and chairs moved to the walls) there was just enough room without it feeling crowded; I think with 25 students, even with the desks in place, it should be perfectly fine. I did have other dances/movement activities to do, including Longer the Faster, as well as another revisiting of Syncopated Cyril. I also know that the 2nd class loves the Donut Song, and so I had planned variants of Turkey In The Straw for the kids. We'll have to cover that the next time I'm teaching.